MOMENTS OF MADNESS

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Hugh’s cautionary tales about matters of the heart are revealed in his inimitable coded style on Beware of the Doll. “You think you’re listening to love. You’re sinking from a foot above.” And the more personal album closer Heartbreak at Seven which was the first song that Hugh recorded for this album. When we talk about punk today, and our magazine does like to talk about punk off and on (!), then there are some great new bands around. Try looking at our recent features on The Last Gang or The Bombpops , for example. Just reading about the current punk scene shows how vibrant it is. The creepily entitled ‘Beware Of The Doll’ explores matters of the heart. It’s uncomplicated yet resonant with Cornwell whittling a sweet solo from his white Telecaster. Reminiscent of the darker Stranglers material Cornwell’s ghosting vocals hauntingly reverberate. Four years since his previous remarkable solo album Monster, the opener, and first single, Coming Out of the Wildernesssurfs an edgy and explosive sixties sound with a heavy Duane Eddy guitar twang as Hugh declares, “I’m coming out of the wilderness, learnt how to throw a bowie knife. Ran into fair-haired maiden’s out there but didn’t take no wife.”

A high watermark and a modern-day masterpiece, Moments of Madness is being tipped as the most significant album of Hugh’s career. The pioneering musician, songwriter, and performer’s evening was divided into two sets of thirteen songs followed by twelve tunes, with the first being his solo material from 1988 to the present day, and the second being tunes from 1977 to 1984 of his time with The Stranglers, where he was the main songwriter of the band’s many memorable songs. This set included some Stranglers classics, plus a few that have never performed live before.

New Album

I don’t mind different types of jewellery, show it to me, just feel free’, could be I’m missing the artistry” opines Hugh on Red Rose– a song about the bewildering trend for tattoos revealing a record of many gleaming lyrical gems. With the fullness of the Beaver Moon hanging upon high erstwhile Stranglers frontman Hugh Cornwell brings his latest solo UK tour to the historic city of Exeter.

Four years since his previous remarkable solo album Monster, the opener, and first single, Coming Out of the Wilderness surfs an edgy and explosive sixties sound with a heavy Duane Eddy guitar twang as Hugh declares, “I’m coming out of the wilderness, learnt how to throw a bowie knife. Ran into fair-haired maiden’s out there but didn’t take no wife.”Former Stranglers frontman and poet laureate of the punk era, Hugh Cornwell, made a welcome return to Brighton this evening in support of his tenth solo album ‘Moments Of Madness’ which dropped on Friday 7th October 2022. ‘Moments Of Madness’ is multi-layered with serious messages, acute analysis, and witty observations in fun-filled lyrical and musical eccentricity. Hugh Cornwell at Concorde 2, Brighton 12.11.22 (pic Cris Watkins/ PunkInFocus) Widely regarded as the poet laureate of the punk era (from his early career fronting the Stranglers to his transition as a solo artist),Hugh Cornwellhas built a substantial and singular body of impressive solo albums. His tenth solo opus, Moments of Madness, continues his illustrious output by experimenting with musical genres as his enviable reputation as a wordsmith resounds across this album’s songs. hours ago Italian Thrash Metal Band URAL Unleashes New Video-Clip for “Blood Red Sand” from Third Album “Psychoverse”