Ortofon 2M Red - all-purpose Moving Magnet Cartridge with a tipped Elliptical diamond and split pole pins with a copper wire, red

Product Information

First—what is sibilance? Well, sibilance distortion is when you play vinyl records and notice a harshness whenever a singer is pronouncing a word that either beings with or ends with “s.” The result is a bold performer that's confident without being in any way overbearing. Listening to Orff’s rambunctious Carmina Burana,we can’t help but be thrilled by the energy and drive of the music. The Sabre delivers this dramatic piece with all the gusto it demands. We get explosive dynamic peaks coupled with an impressive sense of control. First up for the listening test: the 2M Red. This stylus was already well-known to me, as many turntables come with a 2M Red pre-fitted. It’s a classic by this point; you can’t go wrong – it’s a good all-rounder that suits a wide range of musical styles, and is highly compatible with most modern moving magnet phono pre-amps. The sound is balanced with a touch of warmth, and the overall dynamics and resolution are great. I fully expect that a jump up to the 2M Blue will deliver a more engaging and exciting listening experience, but then again, the Red sets a strong precedent at this price.

The 2M Red and 2M Blue both use the same engine with split pole pins. With this improved engine Ortofon have been able to increase the output to an impressive 5.5 mV. You may be wondering how you can set up your 2M Red, and specifically, if it comes premounted to your headshell. Prices valid in stores (all including VAT) until close of business on 29th November 2023. (Some of these web prices are cheaper than in-store, so please mention that you've seen these offers online.) The name 2M was selected from among several ideas. We wanted a modern name that would be easy to pronounce and remember, and therefore an alphanumerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.The one negative thing I’d say about the 2M Blue is that it truly accentuates the treble in your music. And if you’re listening to a female singer that can hit a high octave, for example, there’s a possibility that you’ll feel the sound is a bit too bright or fatiguing to your ears. Well, this of course varies. If you’re upgrading from using a portable record player (whether it’s a Crosley vs Victrola is immaterial) or something like the Audio-Technica AT-LP60X, you’ll notice an upgrade in sound immediately and you won’t need any break in time to hear the difference in sound quality. I believe that the bass that the Ortofon 2M Red gives is one of the reasons that a lot of people would pass it up. It isn’t so deep- if you get what I mean. However, for those who are more about the treble, it isn’t really a problem. On the high end or treble, I felt the music was a bit more “rounded off,” giving you engaging sound without feeling like you’re getting overt sharpness in the music. nude elliptical stylus diamond. The stylus tip is a whole diamond, specially shaped and glued or fastened to the

The 2M Series is developed in conjunction with the Danish Industrial designer Møller Jensen Design – the same designer who designed the award winning MC Jubilee and Kontrapunkt series. Inspired by the facets of a diamond, whose contours gracefully trace the grooves on a record’s surface, the 2M’s handsome elegance establishes a great combination of form and functionality.

Get The Right Model For You

Now, the Ortofon 2M Verso is intended for those that have bottom mount headshells. The 2M Verso is made to mount very easily on tonearms that do not allow screws to pass through the top of the headshell. The difference in output level (3.5 mV for the AT95E and 5.5 mV for the Ortofon 2M Red) is big enough to make the Ortofon 2M Red play with significantly higher music volume. Noticeable difference there. Comparing with the well-known Audio Technica AT95E, the 2M Red has a much bigger and punchier sound, but doesn’t have the inoffensive charm of the AT95E. The AT-VM95E (replacement for the AT95E) provides stiffer competition and may possess a more agreeable (warmer) sound balance for some listeners, but doesn’t have the sparkle, air and detail of the 2M Red. Having said that, the AT-VM95E is less than half the price of the 2M Red, which price-wise is in the same stable as the AT-VM95EN with nude elliptical stylus. I haven’t heard the latter, so cannot comment on how it compares with the 2M Red. Comparing with other Ortofons, the 2M Red is a typical Ortofon in its tight, agile, dynamic presentation, but is brighter than some of the vintage models, such as the F15E MkII. The OM10 would be its equivalent in the OM range, but the 2M Red’s delivery is bigger and livelier. The Super OM10 goes some way to rival its detail and dynamics, and perhaps also offers a more accessible sound for many listeners, with deeper bass and a slightly more refined top-end. On the whole, you might have wondered how it mixes and blends it all. This has to do with the balance. I’d rate the blend a solid 7. It is a little short of amazing but it gets the job done and it does it with a great texture and sound to it.

As my everyday living room listening setup, I consider the 2M Blue to offer the perfect balance of performance, dynamics, and affordability. The sound is far-more open than the 2M Red but without pushing to any extremes. It’s easy to enjoy the 2M Blue no matter what level of vinyl enthusiast you consider yourself to be. Go Blue and rediscover your record collection – you’ll be surprised just how much better a nude stylus can sound. Everyone’s ears and tastes are different, but I really loved the resolution upgrade and how much more information was pulled from the record in terms of musical precision and dynamics. In all, while I think the 2M Red is more “fun” for the average vinyl record enthusiast, I found the 2M Blue to be the most “accurate” when it comes to the sound coming out of my speakers. Let’s talk a little bit about the problems people have encountered with the 2M Red. Admittedly, these aren’t issues I’ve personally run into, but just because I haven’t dealt with them doesn’t mean they aren’t real and aren’t worth discussing. I always felt that the 2M Red, when it comes to treble in comparison to the 2M Blue, was a bit more rounded around the edges (i.e, wasn’t quite as “harsh”). I think you should consider the Ortofon 2M Red if you’re looking for a way to jump into the high fidelity end of the pool without fear that things will get too “techy,” overly complicated, or expensive. I think the 2M Red provides a great balance of high quality and performance with excellent value. Ortofon 2M Red Premounted on Headshell?

2M Red Technology

Tipped elliptical stylus diamond. Here, the 2m blue stylus tip of the diamond is always mounted on a metal shank. The 2M Series is designed for precise and accurate retrieval of the information in the record groove Midrange: The mid-band is also open and clear. The midrange is obviously influenced by the treble, giving texture to vocals, but doesn’t quite have the wonderful quality of the 2M Blue. The handling of sibilance on vocals is above average, in my experience. Well, before I give you my opinion on that, let me first cover what upgrades are made to the 2M Blue that Ortofon feels justifies the fairly dramatic jump in price. High-performance motor system incorporating unique to Ortofon quad coils with split pole pins, delivering a clean detailed and true-to-life sound.