Image Skincare - I Conceal Flawless Foundation SPF 30 (28g)

Product Information

Being alone and in the dark doesn’t agree with us. In this mad city, we found an ally in the Arab Image Foundation, and instead of reinstating a bookstore, we will be experiencing the permanence of a public library. We'll be taking our books out of their boxes soon, and look forward to meeting readers, writers, art-makers, image seekers, and researchers at AIF’s new premises, where Dawawine’s books will find a home. It has a broad scope of assortment with regard to structure. There are different materials we can here to build a stylish view, and it stays in our spending limit. Akram Zaatari, for example, regards the collection, if as an archive at all, then only as an archive of the “collecting practices that happened in the foundation from 1997 until this day.” See Anthony Downey “Photography as Apparatus: Akram Zaatari in Conversation with Anthony Downey,” Ibraaz, Platform 06 (January 2013), accessed August 25, 2016, https://www.ibraaz.org/interviews/113. Vera has agreed to donate her family collection featured in this book to the Arab Image Foundation, adding invaluable photographic material to the Palestinian collections in our custody. Right: Vera Tamari’s father with ​ family and friends in Hebron, circa 1929. Standing in the middle with a white hat is Vera’s aunt Alexandra. Faik Tamari collection.

These are some reflections that we entertain in the midst of the daily grind. It is not a luxury but a primordial incentive to give meaning to our archival work that is often repetitive, albeit necessary, to unravel a world of images for others to discover with us. It also serves to remind us of the institution we continue developing. The often invisible hands at work within the Foundation reveal many stories. Maha Kays recently joined AIF and is already evoking the legacy we each have a responsibility to carry. ​ Yasmine Nachabe Taan is Associate Professor at the Lebanese American University, currently a Visiting Professor at Bilkent University. She is the author of Reading Marie al-Khazen’s Photographs (2020), Saloua Raouda Choucair: Modern Arab Design (2019), Abdulkader Arnaout: Designing as Visual Poetry (2017), Hilmi el-Tuni, Evoking Popular Arab Culture (2014). She is on the Editorial Board for Design and Culture. The General Assembly includes Zeina Arida, Vartan Avakian, Negar Azimi, Lara Baladi, Karl Bassil, Donald Choubassi, Yasmine Eid-Sabbagh, Fabiola Hanna, Kristine Khouri, Khaled Malas, Sarah Morris, Issam Nassar, Hrair Sarkissian, and Tamara Sawaya. [11] Projects [ edit ] Exhibitions [ edit ] The main aspects of different types of foundations, along with their images, are given below. As economic feasibility is one of the main factors in the type selection, it is also discussed briefly with each type. To know other factors that affect the range of foundations read: Factors Considered for Selection of Foundation. Shallow FoundationsInspired by the two projects and conversation, I have since been thinking more actively about the role of communities in building, aggregating, caring for, sustaining, and even reclaiming collections of images, documents, artifacts or other materials which represent them. Many archival-related initiatives that inspire me have been built because they need to exist, because the stories and materials were perhaps not held elsewhere and had to be kept, cared for, and shared, giving space for the voices which may be silent, marginalized and unavailable elsewhere.

Arab Image Foundation". Anna Lindh Foundation. 2010. Archived from the original on 3 January 2014 . Retrieved 20 January 2012. The 21st episode of Lamha presents the Abdel Hadi family collection, which comprises 24 paper prints taken in Palestine and Jordan between the 1920s and the 1960s. Its humble size notwithstanding, the images in this collection range from family photographs to shots of formal officials and even landscapes, including certain areas in Palestine – such as the beach in Jaffa – that have become nearly impossible to reach after the Nakba of 1948.If the heap on the wall is substantial or the soil is of low bearing limit, this reinforced concrete foundation type can be given. Header image: 0024ab00016, 0024ab - Abdel Hadi family collection, courtesy of the Arab Image Foundation, Beirut. Traversées photographiques. Le journal du docteur Cottard , edited by Gregory Buchakjian and Clémence Cottard Hachem (Arab Image Foundation, 2017) [13] Header image: 0026do00011, 0026do – Bedros Doumanian collection, courtesy of the Arab Image Foundation, Beirut.