The Toby Twirl Story Book

Product Information

https://www.telegraph.co.uk/culture/books/9888441/Alan-Titchmarsh-Enid-Blytons-books-were-a-product-of-their-time.html During World War II, she joined the WAAF (Women's Auxiliary Air Force) in 1941, and met her husband-to-be who was at that time serving in the RAF (Royal Air Force). They married in 1942 and have (as reported in 2003) two daughters, Tania (born in 1945) and Domini (born in 1948).

Other Toby Twirl materials created by Hodgetts included daily newspaper comic strips, such as for The Yorkshire Evening Post, beginning in 1959. These led to several small landscape-format “strip books”, such as Toby Twirl on Dapple Heath and Toby Twirl and the Talking Poodle (ca. 1954), and Toby Twirl and the Bullfighter, and Toby Twirl and the Marionette. There were also colouring books, magic colouring books (using water), and pop-up books, and jigsaw puzzles. Twirl Adventure Books', and other items. Toby Twirl was a popular children's story character, similar infor you to identify the Toby Twirl books, much more detail is available in the 'Collector's Guide' (see Sheila Hodgetts’ artistic collaborator, Edward Jeffrey, created Toby Twirl, visually (albeit, in a Rupert-like mould), basing Toby on a soft toy that his wife was making at the time. Hodgett's must have explained, also, that the name “Twirl”, related to the pig-features of the character, and, by implication, Toby's parents, including, in the early stories, an eponymous pig's twirly corkscrew tail. Hodgetts also wrote four full-length large-format story books, Toby Twirl in Pogland (1946), Toby Twirl Rescues Prince Apricot (1947), Toby Twirl and the Mermaid Princess (1948), and Toby Twirl and the Magic Ring (1952).

With Jeffrey's illustrations, Sheila Hodgetts also published two non-Toby-Twirl titles: the fairy tale story, The Sleeping City (1947), in which, of course, a magic spell must be broken to wake a sleeping city; and One Magic Night (1947), in which young Terence ventures out, one magic night, to watch the fairies dance, but is bound in magic cobweb by some unpleasant pixies, until a friend, Rufus, a rabbit, brings the Fairy Queen to rescue the boy. There’s also a reggae influenced version of The Everly Brother’s ‘When Will I Be Loved’ – it works really well. Whose idea was this?Hi John – This is the first time there’s been a full length Toby Twirl release. How did this come about and can you tell me more about the record?

In Christopher Fowler's column for The Independent, “Invisible Ink: No 199 - Sheila Hodgetts” (Sunday 17 November 2013), Fowler begins: Each panel of Tourtel's comic strip story was accompanied by a narrative in rhymed verse. These are the very first ( Daily Express, 8 November 1920):In 1946, when her husband was demobilised from the RAF, her family moved to the West Midlands where they have lived ever since. Nothing in Toby Twirl's later adventures explains this earlier history - famed as a Witch killer, and “many things” – of a seemingly ordinary pig-headed young boy wearing overalls (initially blue, but soon to be a trade-mark red) who enjoys a holiday at the seaside. Just as Rupert had his regular friends (most of them with human bodies, and animal heads – all about the same height, regardless of their different animal species - but also some who were all animal, and others who were wholly human), Toby Twirl has some regular friends. These include, Pete the Penguin, Eli the Elephant (also known, formally, as Eli Phant, his mother being Mrs Phant), Winnie the Wallaby, and a squirrel-headed fellow, as well as some less friendly folk, such as Warty Weasel. Adult characters, such as Mrs Twirl (and less frequently, Mr Twirl) tend to appear briefly at the start and end of the stories to express their relief at Toby's safe return. By contrast, Professor Bison (an actual bison, and an obvious homage to Tourtel's and Bestall's character the Wise Old Goat, an actual goat), is of frequent assistance. Rupert Bear had the body of a human boy, and the head of a bear. Many of his friends had human bodies and animal heads, although other characters included humans, dwarves, ogres, and talking birds. We were half way through our act when suddenly the audience (mostly pensioners) got out of their seats and started to run towards the stage. I thought we were going to get invaded, was this Saga Mania?